Thus, on the verge of recording, they must wear, or choose someone to wear the cap called “producer”. The producer’s job is to keep the song on course as it navigates the recording process, so it begins by asking the hard questions:

What is the essence of the song?

What is its style?

What is its structure and flow?

Are there definable parts, like chorus, verses, and bridges, and where do they begin/end?

What/who are the instruments and do they uphold the essence of the song?

These definitions guide the recording process, providing the producer (me, in this case) with a strong sense of the song so recording sessions run efficiently. The more people involved, the more creative energies there are to direct. Direction is key. Without it, my sessions would be a waste.

The production process tends to submerge a song into the sea of hands who all want a part in its journey-changing it for the better or destroying its true nature. That’s why I’m inviting you, the listener, to be apart of my songs; but I’d like to show you how to listen, in hopes that you will better appreciate all music.
A recording is a captured moment-and unlike a live performance, cannot draw upon the energies of others–so let that moment be what it is, and let its effect on you be known.

Motif’s Guide to Song Critique. Best if Used Immediately After Listening.

Tell me about the music video….any other visuals?

Would you give the song a second listen? If no, why not?

First impressions are stains that rarely lift, but an open listener knows that art evolves. Your critique allows these songs to develop and grow, so let it be constructive, and let it desire the best for the song. Remember that roughs are not perfect and I do not boast exceptional vocal nor instrumental talent. I’m really looking for whether or not the song’s emotion rings true within you. Feel free to add any other information you deem helpful, so long that it is specific and personal.

Though I ran my songs through this first phase of production, I realize that not all decisions are final, especially when they’re still labeled “rough”. So dig in, if you please, and try out motif music from the producer’s chair. Ask yourself to be precise in your response–remember, without a specific direction, we’re no closer to our destination of a final recording! Motif’s ongoing creativity loves your support! Thanks for it!

p.s. Lyrics are always helpful references for producers. I like to print them out and write on them. If you find inconsistencies in what you hear and what you read, let me know!